she is so cute!
Every so often, the cry goes up: “Fewer love triangles and more threesomes!” But what if you’re a writer who wants to write some polyamorous relationships, but you’re not sure where to start?
This article is here to help.
Please note that this is not a guide about how to be in a polyamorous relationship. That ground has been covered by other people in more depth and detail than I will ever be able to manage. (I have some good articles for you to read at the end of this piece, should you be looking for that.) This is a quick guide about writing polyamorous characters, how poly relationships work, and special concerns writers need to watch out for. This is not a comprehensive post, but it should give you a place to start.
(As for why I wrote this: I am a writer who has identified as poly for her entire adult life, and have been in a number of different varieties of poly relationships over the years, including a committed triad. I have a lot of experience with poly relationships—including messing them up. I figured that if anyone’s going to write something like this, it’s going to be me.)
Ready to go? The good stuff is under the cut.
So I wrote and animated this tutorial for people working on my short film Bothered, but I figured it would be useful for all animators, particularly beginners. I borrowed some of these concepts from this awesome packet done by Jon Hooper and Michel Gagne, which is also pretty great!
- incredibly long crosscountry train ride AU
- police procedural AU
- bookstore AU
- reluctant teammates that save the world together AU
- platonic living together AU
- lawyers AU
- stuck-in-an-airport-because-the-flights-were-SO-VERY-delayed-and-it’s-like-two-am AU
- sent to live with cousins AU
- pretending to be siblings because of reasons AU
- teaming up to rescue respective abducted children AU
- pseudo-adopting-the-runaway-i-ran-into AU
- forget high school students AU i want a high school teachers AU
- law school AU
HERE HAVE SOME MORE
- on the same college tour AU
- trapped in a bank during a robbery AU
- forced to share a table at the coffee shop a couple days in a row because crowded coffee shop and no room AU
- DOCTORS AU
- medical school AU
- ride the same bus together literally every day AU
- vet clinic AU
- 'i'm pretending to be ur bff bc u looked VERY uncomfortable with that person at the bar hitting on u' AU
- college professors AU
- on a train together and the train is stopped in the middle of nowhere for some reason AU
- foster family AU
very simple chain and ruffle tutorials i made for a friend and decided to share because idk it might be useful for someone
Tuesday Tips SUPER WEEK - More Acting Less Anatomy
I’ve received a few message asking me how to draw simple generic characters (male, female) for story boarding, and what to do when there’s no character design. I will go over all that stuff, but I need to emphasize something first. I used to be obsessed with muscles and specific anatomy when I was drawing anything. Thanks to 90s superhero comic books and raging hormones, it kept me from embracing the storytelling aspect of sketching. Even later on in art school, I would spend WAY took much time on getting that perfect line quality. Animation Storyboarding squashed most of those inclinations out of me, and that’s good. I need to confess that I almost caved in and “cleaned up” the drawings on this page. This is how I draw when do a “first pass” or just trying to find ideas. That way, I don’t lose the energy or feel of my first instinct when approaching a sequence. Here’s something you’ll hear many times if you hang around story people: “It’s not about pretty drawings.” I agree and disagree to a certain extent, but the sentiment is right. It’s about telling a story and not letting other things (like lines, musculature, clothing, etc.) get in the way of doing so clearly.
Once again, message me if you have requests for the next installments.
^this this this this goddamnit this
collections that are raw as fuck ➝ samuel cirnansck f/w 2014-15